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To prologue or not to prologue, that is the question.
So before we start throwing punches and whipping out weapons of mass destruction, let’s take a look at the core of the matter: What is a prologue?
According to dictionary.com, the definition of a prologue is this:
Since we’re talking about writing, the definition I’m most interested in is number four: “an introductory scene, precedingthe first act of a play, opera, etc.” (emphasis added)
The keyword there (as I’ve emphasized with certain slanty letters) is “preceding.” Prologues, by definition, happen before the action—before the story really starts.
So now you’re thinking, yes, ok Ava, we know what a prologue is—what’s your point? Well, my point is pretty simple: most of the time, the story should start where the story starts. You’d think that goes without saying, but prologues break that rule.
I’m not saying that they never work—in fact I'm guilty of writing a prologue myself (albeit, in my first ever WIP) and I've read prologues that I liked. But prologues are used and abused and oftentimes they aren’t necessary.
Sometimes they give the readers valuable background information or set the mood or a dozen other functions. And sometimesthe only way to accomplish that goal effectively is indeed through a prologue.
Maybe you need the prologue to slap some tension in the beginning of your novel because your first chapter starts off a bit slow. In that case, yes a prologue works, but it’d be even better if you inserted tension in your first chapter instead of relying on a prologue. Just a thought.
So, to prologue or not to prologue? Truthfully, it’s up to you. But if you must include a prologue, my advice to you is simple: make it snappy, make it interesting and make it important. Then finish writing the rest of your story.
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